Like Portland, Glasgow’s
city center is bisected by a working river. It used to be said that “the Clyde
made Glasgow and Glasgow made the Clyde,” but the mighty shipbuilding industry never
recovered from the Great Depression–even with some renewed activity during
World War II. Today, only one shipbuilder remains and the city is in the midst
of a decade-long effort to convert vast swaths of empty waterfront property
into business and residential hubs.
One part of the redevelopment is the
Riverside Museum of Transportation, a cavernous building designed by Zaha Hadid
and named the European museum of the year in 2013. It’s crammed full of
examples of just about every 19th to 21st century human conveyance, from
horse-drawn carriages to early automobiles to prams, locomotives, model ships,
and skateboards. The world’s oldest pedal-powered bicycle is on display along
with more modern bikes and cycles that are notable for their owners’ journeys
(like Ewan McGregor’s BMW featured in the documentary series “The Long Way
Round”). World War I wheelchairs made of wood and leather to look like parlor
furniture are a reminder that those confined to them weren’t expected to leave
the house, though a 1970s, three-wheeled “invalid car” shows how attitudes
about mobility changed. One thing that hasn’t undergone much of a
transformation: Glasgow’s subway system. A 1900 rail car looks like it would be
very much at home as part of the “Clockwork Orange,” today’s inner city transit
system that runs two short circular lines that continually go either clockwise
and counterclockwise, taking you from one side of the city to another in about
12 minutes). With massive apartment towers, the Norman Foster-designed
convention center (called The Armadillo), and the new BBC Scotland
headquarters, the city hopes to breathe life into the banks of the Clyde again.
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