Thursday, 12 February 2015
A Stroll Down Buchanan Street
Night or day people throng Buchanan, the city’s main pedestrian shopping street. At one end sits the Royal Concert Hall, atop steep steps offering a long view all the way to the River Clyde. The posh House of Fraser department store takes up considerable real estate, with windows hawking Prada and Hermes. British stores like All Saints Spittalfields, Top Shop, and FatFace (whoever thought that was a good name for a hipster boutique?) compete with too many US interlopers: Urban Outfitters, North Face, and Apple. If you want a bespoke kilt with all the accessories, this is the place to go. It’s also where beggars and buskers ply their trade, including the inevitable pipers. The grizzled-looking Clanadonians (whose motto is “keeping it tribal”) are always able to draw a crowd with their booming drumbeats and blaring bagpipes.
Monday, 9 February 2015
William Wallace, Robert the Bruce and a Stirling Adventure
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William Wallace Monument Robert the Bruce |
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Stirling Castle Pretenders to the Throne Stirling Village |
Margaret Macdonald Mackintosh...She Had Genius
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The White Rose & the Red Rose,1902 Margaret Macdonald CRM & MMM Watercolor The Opera of the Sea, 1902 |
“Margaret has genius, I have only talent”…so stated Charles Rennie Mackintosh.
Margaret Macdonald
Mackintosh was the collaborator and wife of C. R. Mackintosh. After meeting CRM
at the Glasgow School of Art, she became a true aesthetic partner as both collaborated
on graphics, interiors, textiles and artworks, and even signed many watercolors
jointly. The jointly developed flowing lines and floral motifs helped define
the Glasgow Style. MMM’s best known works include gesso panels, wherein
textures and lines were piped onto the canvas via pastry bags, with jeweled
insets. The largest, The Wassail (1900)
was completed for the Willow Tea Room. She and CRM exhibited works at the 1900
Vienna Secession, and influenced the furniture work of Josep Hoffmann and Gustav
Klimt’s 1902 Beethoven Frieze. In 2008 her 1902 work The White Rose and the Red Rose was auctioned for 1.7 million UK pounds, then a record
for a Scottish artwork.
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The Wassail, 1900; completed w/C.R. Mackintosh |
Thursday, 5 February 2015
The Riverfront - Getting There Is the Hard Part
Like Portland, Glasgow’s
city center is bisected by a working river. It used to be said that “the Clyde
made Glasgow and Glasgow made the Clyde,” but the mighty shipbuilding industry never
recovered from the Great Depression–even with some renewed activity during
World War II. Today, only one shipbuilder remains and the city is in the midst
of a decade-long effort to convert vast swaths of empty waterfront property
into business and residential hubs.

Monday, 2 February 2015
The Underappreciated Charles Rennie Mackintosh
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Portrait Bedroom, Hill House Hill House |
A condensed entry about Charles Rennie Mackintosh leaves out
so much. Glasgow is filled with impressive older structures, but the works of Mackintosh
lay claim to its heart. Born in Glasgow in 1868, he worked here almost
exclusively for over 20 years. Mackintosh trained as an architect in a local
practice and studied art and design at evening classes at the Glasgow School of
Art. There Mackintosh and his friend Herbert MacNair met fellow art students (and
sisters) Margaret and Frances Macdonald. The inseparable foursome collaborated
on illustrations and designs for buildings, furniture, and metalwork,
developing a highly distinctive style with abstracted female figures and
metamorphic lines. These works came to be known as the Glasgow Style and were
much admired in Europe (including by figures such as Gustav Klimt, who interpreted
the style and gained much more fame).
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House for an Art Lover Graphic Design Furniture Watercolor |
Throughout his career, Charles relied on a handful of
clients and patrons, given his preferences for total design. Despite local successes,
like his masterpiece the Glasgow School of Art and Willow Tea Rooms, Mackintosh's
work met with eventual indifference at home and his career in Glasgow declined.
By 1914 he despaired of ever receiving true recognition in Glasgow and he and
Margaret (now his wife) moved, temporarily, to the Suffolk Coastline, where he
painted delicate flower studies in watercolor. In 1915 they settled in London
and for the next few years Mackintosh attempted to resume practice as an
architect and designer. In 1923 the Mackintoshes left London for the South of
France where he gave up all thoughts of architecture and design and devoted
himself entirely to painting landscapes. He died in London, in December 1928.
In recent decades Glasgow and the rest of the world finally recognized his and
Margaret’s genius and their works command millions at auction today.
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Willow Tea Room, Sauchiehall Street House for an Art Lover |
On the Bonnie, Bonnie Banks
A rare
sunny (but still frosty) Sunday and we were lucky enough to be invited on an
excursion to the countryside by the Scottish cousins of our Portland friends
Marc and Susan. With Tam as our guide, we attempted a steady uphill climb in
Queen’s Wood but had to turn back because the trail was too icy (and Rhonda’s
boots had too little traction). Instead, we took a drive round Loch Lomond,
which was hardly a consolation prize. Britain’s largest body of fresh water,
Loch Lomond is surprisingly close to Glasgow (about a 20-minute drive) yet a
world away. It’s surrounded by oak and pine forestland (the Trossachs National
Park) and boasts 21 “Munros” (mountains over 3,000 feet). Half of Scotland’s
population lives within an hour’s drive of the park. Even with the sunshine,
there weren’t too many people hiking along the shoreline or stopping for tea in
the cafes near the boat launches (nor were there many boats). Spring and summer
will likely be a different story, with tourists and residents alike thronging
the ferries and boats that ply the loch and travel to the many islands
within it. (For fun - https://www.youtube.com/watch?v=feLT7Btuqpc - but the song is actually quite sad)
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